#Jeff mills gear series#

We like especially that beautiful article about the Golden Age and art of early Science Fiction. You find conversations with techno heroes like Mike Storm, Tadeo, Terrence Dixon, DVS1 or Jonas Kopp and other artistic characters you want to listen to. Subjects that at first glance, may not appear to be influential to what you hear, but are in fact, primary reasons that had help fuel many creative efforts by many Electronic Musicians and artists for decades.” We’re ready to examine and explore all that revolves around the mechanics of creativity. The creation of The Escape Velocity artists program and magazine are our contributions to these topics. Who are these people that translate these otherworldly ideas to create such sounds and rhythms for us? How much of what we hear is attributed to the producer’s personality itself? What do they see and believe? As an industry that isn’t always as diplomatic and fair to certain artists as it should be, there had always been room for more conversations about creativity, more exchanging of ideas and about the subject of expanding Electronic Music to boundaries further than our imaginations. What are situations that are beyond the names and cities where the artists come from. That, what we mostly see are examples of the consequences and the after-effects of what this music does.īut, what about all the aspects it takes for music to be made – to arrive at the point of public consumption with very little attention of the way it travels to that point. Since the form of Electronic Music that we recognize today began in the mid-1980s, it has been my personal view that as an industry that specializes in such, there is still too little attention to the art of the creation. But nothing has proven to be more vital than the creation of Music itself.

All of these areas, the ones we’re mostly used to following and watching things such as public event announcement and coverage, industry/business services, rising talents and all that hovers around the gathering of people and audiences. “ In Electronic Music, there are many aspects to the genre that have always needed more attention, more observation and constant monitoring. In Jeff’s view, the creation of music does not get it’s attention it deserves. You want to know what happens when you spend too much time in complete darkness? In this magazine, you’ll find the answer. Outer to Inner Atmosphere: The Escape Velocity Mix is live now for streaming on Apple Music.The magician himself, Jeff Mills brought out his first fanzine – “The Escape Velocity”.

“He is a generational icon and a true techno pioneer that has taken the concept to a dimension further than we could have dreamt with ‘Outer to Inner Atmosphere: The Escape Velocity Mix.“ Ones that uses our psychological responses, like anticipation and mystery, the risks and danger of such a journey and most importantly, the translation of the feeling that ‘a step forward’ has been taken.”Īpple Music’s Global Head of Dance and Electronic Music Stephen Campbell said it was “an honor” for Mills to create the first One Mix in Spatial Audio. “With this immersive sound experience also came certain aspects that needed to be addressed. The embarkment to a place outside and unlike our own. In a release, Mills described the purpose of the mix as “conceptualized and designed to stimulate the listeners’ three dimensional senses and sensations using the subject and idea of breaking Earth’s gravitational pull and leaving the planet.

#Jeff mills gear series#

The One Mix series is “a showcase of the world’s best DJs and producers” released monthly. Outer to Inner Atmosphere: The Escape Velocity Mix is an hour long mix in immersive Spatial Audio. Apple Music is relaunching their One Mix series with a new mix from Jeff Mills.